Last December, a plastic covered and patriotic "Diane The American Swimmer" portrayed by NYC based performance artist, Diane Dwyer, set the out to Miami Beach with a very specific message about climate change. Learn more about this great "American Swimmer" in our latest artist feature! - Quinn Dukes
Katya Grokhovsky is a powerhouse-bad-ass-feminist who employs video, collage, painting, sculpture and performance art within her artistic practice. She is brave, daring, unwavering and I am thrilled to present her as our 2018 inaugural FEATURED ARTIST. Grokhovsky was born in Ukraine, raised in Australia and completed her MFA at the School of the Art Institute Chicago. She has an impressive artist residency, fellowship and international exhibition history that she has undoubtedly worked tirelessly to achieve. Katya is also an independent curator who curated, among others, projects such as “CALL OF THE WILD: Pioneers, Rebels and Heroines” at VOX Populi Gallery (Philadelphia, PA) in 2015 and most recently announced her appointment as lead curator for Art in Odd Places NYC edition premiering this fall (October 2018).
Last December, Katya performed "Bad Bad Woman" in conjunction with our programming presented at Satellite Art Show, Miami Art Week 2017. After witnessing the 2-hour durational piece, I felt empowered, exhausted and curious. I am delighted to continue the investigation of Bad Bad Woman with you here. Read, Enjoy and Share! - Quinn Dukes
Performance is alive Presents 4-days of programming during miami art week once again at satellite art show
Performance is Alive brings yet another ambitious, 4-day performance art program to Miami Beach for Satellite Art Show. This year's program features interactive performances, durational works, a panel discussion with slumber party, performance video screenings, lectures and because performance is never entirely predictable, the unknown! PIA artists are encountering the complexity of migration, oppressive patriarchal constructs, trans identity, mental health care, silencing, race relations and many other human rights issues threatened by the Trump administration. So join us for the only non-stop performance art uprising during Miami Art Basel! #AliveAtSatellite #notbasel #performanceisalive
It is with great pleasure that we jump back into one of the founding components of this site, the Artist Feature! Multi-media artist, Trevor Amery, joined the #AliveAtSatellite programming during Miami Art Week at Satellite Art Show. His performance initiated with the cross-country journey from California (where he is completing his MFA at UC San Diego) to Miami Beach, Florida. In our interview we discuss the importance of community within Amery's practice and he recalls the terrifying capsize experience while performing Baidarka. - Quinn Dukes
Performing our Reality / Dreaming our Escape - Notes from Satellite 2.0
Alexandra Hammond for Performance is Alive
It’s just before the opening of Satellite 2.0 and the Parisian hotel in Miami Beach is as ready as it will ever be. Each room has been cleared of furnishings and occupied by a gallery, curatorial project, artist collective or publication. Many have been transformed beyond recognition while others, including our booth for Performance is Alive, revel in the dingy tones of cream and pale-peach paint, making use of the vaguely sordid yet standardized markers of the hotel’s architecture of transience: dated carpeting, wall-mounted televisions and lamps.
We have covered the linty carpet with an uncanny layer of adhesive plastic rug-guard topped with beige drop cloths. Artist, Curator and Performance is Alive founder Quinn Dukes has been performing and managing performance events for years and knows that “performers get messy”. She is keen to support the artists and tend to the realization of their works as much as possible under the constraints of a nonexistent budget and the hotel setting. The only rule: no fire.
After a day and a half of nearly round-the-clock preparation (more for many of the elaborate booths) the Satellite Art fair feels like a possible setting for a Borges story: a world within the world, with its own sense of time and cultural mores.
The lobby is now equipped with a giant cereal bowl, titled F+++ Off, fashioned from a modified Doughboy pool and filled with enlarged Captain Crunch pieces sculpted out of foam. A bubble-bath fountain shaped like a giant milk carton pours down from above. Its creators, Jen Catron and Paul Outlaw don bathing suits and float in doughnut-styled inner tubes from time the fair opens until it closes each day. They take their job seriously, just like the exotic car rental agency that normally shares the lobby of the Parisian and continues its usual business throughout the fair, tending to and lending out a small stable of Lamborghinis and Rolls Royces that are parked out front.
Curator Jesse Firestone (creator of the Soothing Center and an organizer of the fair along with Founder Brian Whiteley) stops into our booth for Performance is Alive. Jessie, Quinn and I joke that if we had to stay at the Parisian forever, we would survive and make our own world. Like the Eagles’ Hotel California, but with more exuberance and less downfall.
The fantasy of the self-sustaining art-pod was particularly poignant in the days immediately following the presidential election. The final dissolution of the myth of American exceptionalism calls for action, and the temporary world-building represented by repurposing a hotel for a few days of art viewing (even as it participates in the commercial crush of Miami art week), can be seen as a utopic gesture, perhaps even an act of love towards a world that has revealed itself as a more troubled place than we had imagined.
Nestled on the second of three floors of this most wacky and artist-powered of the Miami art fairs, Performance is Alive’s room 15 was poised to be occupied by the first of its politically-charged performances. Artists addressed the interconnected subjects of landscape and environmental destruction, race, gender, consumer capitalism, labor, violence and eroticism. In short, the range of issues that arise when the medium is the ever-political, ever-present body.
#AliveAtSatellite - Performance IS Alive PRESENTS 4 DAYS OF PROGRAMMING AT SATELLITE ART SHOW, MIAMI ART WEEK
We have been hard at work reviewing hundreds of performance proposals from incredible performance artists across the globe for #AliveAtSatellite, Performance Is Alive's non-stop programming at SATELLITE ART SHOW during Miami Art Week 2016. We are incredibly delighted to present these daring projects from an amazing group of artists. Throughout the fair’s duration multi-media performance artists confront a myriad of contemporary issues such as body politics, race, economic inequality, climate change and intimacy in the digital age. Over twenty short form, durational and video based performance works will be presented throughout SATELLITE 2.0. We hope to see you in Miami but if you can't join us on the beach, stay tuned for live stream details! - Quinn Dukes + Alexandra Hammond
SATELLITE ART SHOW // The Parisian Hotel, 1510 Collins Ave., Miami Beach, FL 33139
PRESS PREVIEW: December 1st: 12 – 3 pm
December 1st: 3 pm – 10 pm
December 2nd: 12 pm – 10 pm
December 3rd: 12 pm – 10 pm
December 4th: 12 pm – 6 pm
Confirmed artists include: Agrofemme and Ian DeLeon (NYC), Thomas Albrecht (NY), Trevor Amery (CA), Joseph Bigley (NC), Monica Jahan Bose (DC), Hector Canonge (NYC), Alberto Checa (FL), Dominique Duroseau (NYC), Ayana Evans (NYC), Sean Fader (NYC), Whit Forrester (Chicago), Vanessa Dion Fletcher (Chicago), Philip Fryer (Boston), Elan Jurado (NYC), Olga Kozmanidze (Moscow, RUS), Jenna Maurice (TN/CO), Sergio Mora (FL), Violet Overn and Emma Sulkowicz, Miriam Parker in collaboration with Christina Smiros and Jo Wood-Brown (NYC), Sarah H. Paulson (NY), Miles Pflanz (NYC), Selma Selman (Bosnia/Herzegovina) Alexandra Sullivan (NYC), Marcela Torres and Chase Calloway, J.R. Uretsky (RI)