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Performancy Forum: Civic Reflex / Reflejo Civico by Luke Mannarino

7/31/2018

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Daniel Gonzalez and Animals Against Humans, 2018, Civic Reflex/Reflejo Civico, Panoply Performance Laboratory, Photo by Luke Mannarino
Daniel Gonzalez and Animals Against Humans, 2018, Civic Reflex/Reflejo Civico, Panoply Performance Laboratory, Photo by Luke Mannarino

Performancy Forum: Civic Reflex / Reflejo Civico
by Luke Mannarino

Over the course of six evenings from April to November of 2018, Panoply Performance Laboratory will be programming artist’s who will be “sustaining and framing ‘civic’, ‘civil’, and ‘reflexive’ performance practices and performance theories.”

The first two installments of Civic Reflex / Reflejo Civico took place in April and May of this year. Some necessary time has passed since the two evenings have happened, and taking the time now to reflect upon them has been an important part of the process. I will be covering each of the performance evenings not only to generate written documentations of each performance but with the intention of placing them all into context with each other.

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A CALL FOR SUSTENTO - Interview with Awilda Rodriguez Lora By Sarah G. Sharp

7/11/2018

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Awilda Rodriguez Lora, La Mujer Maravilla: 4654, 2018, 90 min., Field Projects Gallery, NYC 	Photo Credit: Sarah G. Sharp
Awilda Rodriguez Lora, La Mujer Maravilla: 4654, 2018, 90 min., Field Projects Gallery, NYC Photo Credit: Sarah G. Sharp

Awilda Rodriguez Lora is a performance choreographer and cultural entrepreneur. Born in Mexico, raised in Puerto Rico, and working in-between North and South America and the Caribbean, Rodríguez Lora's performances traverse multiple geographic histories and realities promoting progressive dialogues regarding hemispheric colonial legacies, and the unstable categories of race, gender, class, and sexuality. Rodríguez Lora has been an invited guest artist at the Bronx Academy of Arts and Dance (BAAD), Brooklyn Museum, New York University, the Art Institute of Chicago, Columbia College Dance Center, University of Michigan and Universidad de Puerto Rico, among others.

Rodríguez Lora’s work was recently included in “Comfort Level,” a show at Field Projects Gallery, on view May 3-June 9th, and in “Tool Box” a limited artist’s edition and fundraiser for Agite-Arte, both co-curated by Alissa D. Polan and me, Sarah G. Sharp, and performances at La Mama Theater and the Brooklyn Academy of Music among others. We asked Awilda to create a performance for the “Comfort Level” closing party, La Mujer Maravilla: 4654, which was incredibly moving. I sat down to discuss creating that performance and her creative influences just two days before she performed La Mujer Maravilla: Cuerpa at The Brooklyn Museum, which was part of the Radical Women: Latin American Art, 1960-1985 exhibit.      

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    CONTRIBUTORS

    Ian Deleón
    ​Quinn Dukes 
    Alexandra Hammond
    Luke Mannarino
    Polina Riabova
    ​
    Sarah G. Sharp
    ​
    Alex Sullivan



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MISSION // Based in Brooklyn, NYC, PERFORMANCE IS ALIVE is an online platform featuring the work and words of current performance art practitioners. Through interviews, reviews, artists features, sponsorship and curatorial projects, we aim to support the performance community while offering an access point to the performance curious.

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  • News
    • FEATURED ARTISTS
  • Podcast
  • LIVE EVENT RECORDINGS
  • EVENT LISTINGS
    • SPACES
  • CURATORIAL PROJECTS
    • SATELLITE ART SHOW - MIAMI 2021
    • Satellite Art Show Miami 2019
    • Satellite Art Show NYC 2019
    • Alive at Satellite | SXSW 2019
    • Alive At Satellite | Miami Art Week 2018
    • ART HOLE - NYC 2018
    • Alive At Satellite | Miami Art Week 2017
    • Alive At Satellite - Miami Art Week 2016
  • DONATE
  • About
    • Contact