We are delighted to collaborate with Satellite Art Show again this year during Miami Art Basel Week (December 6-9, 2018). This year, Satellite Art Show moves to its largest location thus far and will be located across from NADA Art Fair (Miami, FL). Over the past 2 years, we have presented the most comprehensive performance art program available and look to present the same for 2018.
Check out our programming from 2017 here.
Artists are invited to submit performance, performance art, live art, action art, durational and performance based video projects to our #AliveAtSatellite Open Call. Projects with complex technical needs may not be well suited for the space. Performances will be held outdoors and throughout the fair grounds from 3pm-10pm. Consider lighting, power and tech needs within your proposal.
There is no application fee. Submission deadline is September 1st, 11:59 EST. Selected artists will be notified in mid-October.
Performancy Forum: Civic Reflex / Reflejo Civico
by Luke Mannarino
Over the course of six evenings from April to November of 2018, Panoply Performance Laboratory will be programming artist’s who will be “sustaining and framing ‘civic’, ‘civil’, and ‘reflexive’ performance practices and performance theories.”
The first two installments of Civic Reflex / Reflejo Civico took place in April and May of this year. Some necessary time has passed since the two evenings have happened, and taking the time now to reflect upon them has been an important part of the process. I will be covering each of the performance evenings not only to generate written documentations of each performance but with the intention of placing them all into context with each other.
Awilda Rodriguez Lora is a performance choreographer and cultural entrepreneur. Born in Mexico, raised in Puerto Rico, and working in-between North and South America and the Caribbean, Rodríguez Lora's performances traverse multiple geographic histories and realities promoting progressive dialogues regarding hemispheric colonial legacies, and the unstable categories of race, gender, class, and sexuality. Rodríguez Lora has been an invited guest artist at the Bronx Academy of Arts and Dance (BAAD), Brooklyn Museum, New York University, the Art Institute of Chicago, Columbia College Dance Center, University of Michigan and Universidad de Puerto Rico, among others.
Rodríguez Lora’s work was recently included in “Comfort Level,” a show at Field Projects Gallery, on view May 3-June 9th, and in “Tool Box” a limited artist’s edition and fundraiser for Agite-Arte, both co-curated by Alissa D. Polan and me, Sarah G. Sharp, and performances at La Mama Theater and the Brooklyn Academy of Music among others. We asked Awilda to create a performance for the “Comfort Level” closing party, La Mujer Maravilla: 4654, which was incredibly moving. I sat down to discuss creating that performance and her creative influences just two days before she performed La Mujer Maravilla: Cuerpa at The Brooklyn Museum, which was part of the Radical Women: Latin American Art, 1960-1985 exhibit.
Our community continues to grow with the addition of Luke Mannarino to our correspondence team. Luke is a Brooklyn-based performance artist, writer and facilitator with a curiosity for the human/technology relationship and passion for LGBTQ activism. We discussed the local performance community and subtlety of performance writing in our interview conversation here. Please help me welcome Luke to our global community! I hope you enjoy learning about Luke's live art perspective. - Quinn
Let's Talk about Art in Odd Places - Interview with Founder, Ed Woodham and AIOP2018 Curator, Katya Grokhovsky
Each fall, the streets of New York City (more specifically 14th Street) are injected with a higher and more concentrated dose of public installation and performance art via Ed Woodham's grass-root initiative, Art In Odd Places. Curated by performance artist and curator, Katya Grokhovsky, this year's festival and corresponding exhibition exclusively features female identifying artists. After reviewing the largest number of applications ever received in the organization's 14-year history, Ed and Katya spoke with us about AiOP's exciting history, the necessity for reclaiming public space and the decision to focus on the (female) BODY. It is a great honor to share our discussion with you here and stay tuned for the incredible list of participating artists for AIOP 2018 BODY. - Quinn
Last December, artist and writer, Alexandra Hammond asked the visitors of Performance Is Alive at Satellite Art Show, "What Keeps You Up at Night?" It was a pleasure to witness the piece in it's full 3-hour duration. Unfortunately, I did not have an opportunity to participate in the conversation because there was never an empty spot at the "campfire!" I came up with a cascade of responses as I simultaneously eavesdropped and welcomed our guests. What keeps me up... planning art fairs, worrying about artists traveling internationally, posting on PIA... I'm sure you can create a laundry list of your own and I hope you do in comments! Luckily, the dutiful ethnographer transcribed her conversations of which I am pleased to share with you here for our latest Artist Feature. - Quinn Dukes
We are always happy to share performance opportunities, especially for events in beautiful locations! For the past 11 years, Marcy B. Freedman has curated performance on the Saunders' Farm, a 140- acre historic, working farm on Old Albany Post Road in Garrison, NY. Performance art proposals are due June 1, 2018. Full details below.
For the 12th year in a row, Collaborative Concepts has been invited by Sandy Saunders to create a temporary exhibition of outdoor sculpture and installation art on his 140- acre historic, working farm on Old Albany Post Road in Garrison, NY. For the ninth year in a row, a program of performance art will be curated by artist and art historian Marcy B. Freedman.
Last December #AliveAtSatellite artist, Ayana Evans, presented "Slick and Gritty" - a video screening and panel discussion organized to benefit Geraldo Mercado's family members who fell victim to the disastrous path of Hurricane Maria. The family farm was destroyed and US aid was minimal in their rural area of Sierra Alta. Geraldo's grandparents, Ruder and Brunilda Caraballo, as well as his great-aunts Rosa Sanchez and Catalina Sanchez, struggled to replace the roof on their homes.
The initial fundraising goal for Slick and Gritty was successfully surpassed per the tireless promotion and advocacy of Evans. The family has been busy with repairs and I thought it would be a perfect time to re-connect with Ayana and Geraldo for updates and event reflections. There is still much work to be done in Puerto Rico, please consider donating to the Viajero Hurricane Relief Fund.
Talking hotels, coyotes morphing into seductive, queer bearded men, grandmothers drifting away on glaciers: just a few of the surreal scenes from HOLIDAYS IN / COYOTE, a play directed by Jess Chayes and written by Adam R. Burnett in collaboration with the cast and crew. The play was presented by The Tank as part of this year’s Exponential Festival - an extensive, annual nonprofit presenting performance throughout Brooklyn and Manhattan during the month of January. I ventured out to the city on a blistering cold evening to see the production during it’s week-long run (Jan 14th - 20th).
Last December, a plastic covered and patriotic "Diane The American Swimmer" portrayed by NYC based performance artist, Diane Dwyer, set the out to Miami Beach with a very specific message about climate change. Learn more about this great "American Swimmer" in our latest artist feature! - Quinn Dukes