In 2016, Vanessa Dion Fletcher wowed the audience with #MenstrualAccessory, a convenient 1oz bottle of fabric dye that you use to cover your period stains with a much prettier pink color. This interactive performance was comedic, playful and incredibly relatable for me as one who experiences unpredictable cycles! The piece offered an alternative option to the feeling of shame when "caught" with visible spotting. In our continued interest of reflecting back on live performances presented for our Alive at Satellite series, I reconnected with Vanessa to learn about the evolution of #MestrualAccessory and gather a few updates on current projects. So great to re-connect, Vanessa! Enjoy, Quinn Dukes Performance Is Alive: You presented #MenstrualAccessory at Satellite in 2016. Did you perform this work again? If so, where did you present it and how did it evolve?
Vanessa Dion Fletcher: I performed #MenstrualAccessory several more times since showing it at the Satellite Art Fair. The most notable performance was at the Society For Menstrual Cycle Research Conference in 2019 Colorado College, Colorado Springs. Each time I perform the work I like to make connections to the audience or place. During this presentation, I was able to reference some of the other conference presentations and themes people had been talking about. I also presented it at the Queer Arts Festival in Vancouver, that performance was special because there were a lot of queer indigenous people in the audience, who really appreciated my approach and humor. I wrote an article about the work for them and I have attached the article [see below]. The catalogue can be purchased at https://queerartsfestival.com/catalogues-2/.
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Despite our inability to produce live events this year, we've been given an opportunity to reflect back on the incredibly daring and powerful performances presented during our Alive At Satellite events over the past 4 years. If feels like yesterday that we were trying to visualize a non-stop performance art space within an art fair. Would it actually work? It did, and it has been an incredible honor to spotlight nearly 200 artists since our first event.
The opening day of our very first Alive at Satellite event was Sean Fader's Yessss Gaga, Slay Momma! performed by local Miami drag performer, Queef Latina. Yessss Gaga, Slay Momma! featured an acapella chorus of millennial singers (and Queef Latina) streaming selfie videos with the new Sospendo hands free selfie sticks. The chorus sang for nearly 2 hours at the front entrance of Satellite, encouraging all guests to shoot their own videos and pics with the repeated phrase "Yessss Gaga, Slay Momma!" It was a comedic and jovial piece while also tapping into the cultural obsession with selfie and social media representation. Sean Fader is a photographer, performance artist and educator. We reconnected with Sean about how he's doing during the pandemic. PERFORMANCE IS ALIVE: You presented Yasssssss Gaga, Slay Momma at Satellite in 2016, have you performed this work again? SEAN FADER: Nope. PIA: Where are you currently located? SF: New Orleans, LA. USA PIA: Are you teaching during the pandemic? SF: I am teaching in person.. And it has been the beautiful marriage of a dumpster fire, train wreck, and crusty the clown. PIA: Are you currently presenting and/or preparing for future performance projects? SF: Not currently but of course yes! I had a show up (THIRST/TRAP) at Denny Dimin Gallery, June 18th - August 21st. PIA: Has the pandemic impacted your art practice? SF: Totally! My show at DDG went up and changed a ton! PIA: We recommend checking out this interview focused on Fader's recent exhibition, THIRST/TRAP. Performance Is Alive at Satellite Art Show Miami
Curated by Quinn Dukes December 5-8, 2019 2210 NW Miami Court, Miami, FL (Wynwood District) We are thrilled to announce our durational performance art and video performance selections for this year's Alive at Satellite Miami during Miami Art Basel Week 2019. All live performances will feature performance artists exploring durational performance actions. Durational performance allows artists the ability to employ repetition and endurance. Within an extended timeframe, conceptual actions can be more deeply explored allowing for discovery both within the artist and viewer. Durational performances will be presented by Coorain (Atlanta, GA, USA), Rae Goodwin (Lexington, KY, USA), Kiyo Gutiérrez (Guadalajara, Mexico), Amanda Kleinhans (Tallahassee, FL, USA) and Ginger Wagg + Mike Dimpfl (Carrboro, NC, USA). Our Alive at Satellite Miami programming will also feature video performance projects from Sylvain Souklaye (Copenhagen/Denmark), El Putnam (Galway, Ireland), Katina Bitsicas (Columbia, MO, USA), Lariel Joy (Chicago, IL, USA) and L'Idylle | arts vivants (Montreal, Canada). This diverse selection of performative video works investigate a wide-range of social and political topics. Sylvain Souklaye's vulnerable video highlights the negative influence of digital stimulus. El Putnam explores the future of Irish borders post Brexit. Katina Bitsicas offers an opportunity for a heart transplant survivor to reclaim and transform traumatic hospital experiences. Lariel Joy draws on their traditional Korean heritage in the age of diaspora. And the Montreal-based collaborative, L'Idylle | arts vivants proudly celebrate LGBTQ+ diversity. We look forward to seeing you back in Miami for Satellite Art Show's fifth edition during Miami Art Week! Performance Is Alive at Satellite Art Show NYC Artist Announcement Curated by Quinn Dukes October 3-6, 2019 Pfizer Building, 630 Flushing Avenue, 1st Floor, Brooklyn, NY 11206 We are THRILLED to publicly announce our upcoming programming for Satellite Art Show NYC! As usual, we will feature several artists that are local to the fair's location while integrating programming from an international group of performance and video artists. Our live performance programming will run throughout all 4 days of Satellite Art Show, featuring 17 live durational actions. Our screening program features 23 dynamically diverse works exploring performance, ritual and body politics. We are additionally honored to host a special screening featuring the work of seminal video artist, Barbara Rosenthal. Stay tuned for our performance and screening schedule. You will undoubtedly experience something different each time you visit our space. FEATURING PERFORMANCE ART from Thomas Albrecht (New York, NY), Christie Blizard (San Antonio, TX), Mairead Delaney (VT), Vyczie Dorado (New York, NY), Rebecca Fitton (NY/England), Kathie Halfin (NY/Ukraine) Markus Holtby (Larchmont, NY), Amanda Hunt and IV Castellanos (Brooklyn, NY), Amanda Kleinhans (Tallahassee, FL), SUNGJAE LEE (Chicago/Korea), Stephanie McGovern (Brooklyn, NY), Butch Merigoni (Brooklyn, NY), Matthias Neumann (NY/Germany), Christopher Unpezverde Núñez (NY/Costa Rica), Alison Pirie (Brooklyn, NY), Sandrine Schaefer (Boston, MA), Wild Actions - Patience, Carley McCready-Bingham, Ginger Wagg (Chapel Hill, NC) FEATURING VIDEOS from Carolina Alamilla (Miami, FL), Alex Apostolidis (Montreal, Canada), Katina Bitsicas (Columbia, MO), Jeffery Byrd (IO), Victor de La Rocque (Sao Paulo, Brazil), Christina M Dietz (Jersey City, NJ), Julha Franz (Porto Alegre, Brazil), Tales Frey (Portugal/Brazil), Edgar Fabián Frías (Tulsa, OK), Igor Furtado (Rio de Janeiro, Brazil), Rodrigo Gomes (Lisbon, Portugal), Jiang Feng (New Taipei City, Taiwan), Maria Del Pilar (PILI) Lopez-Saavedra (New York, NY), Tone Haldrup Lorenzen (Berlin, Germany), Nadja Verena Marcin (Brooklyn, NY), Rachel L Rampleman (New York, NY), Barbara Rosenthal (New York, NY), Monstera Deliciosa (NY/London), Sylvain Souklaye (Copenhagen/France), Alison Starr (Dallas, Texas), Natacha Voliakovsky (Buenos Aires, Argentina), Christopher Willauer, Cherrie Yu (Chicago, IL) PUBLIC FAIR HOURS Thursday, October 3: 5pm – 12am (VIP/Press Preview) Friday, October 4: 5pm – 12am Saturday, October 5: 12pm – 12am Sunday, October 6: 12pm – 6pm We are so excited to invite you to the first of many Performance Is Alive events this fall! On Saturday, September 7th, we will present an encore screening of our video program originally presented at Satellite Art Show during SXSW. This screening program will be followed by a pre-fair party celebrating the upcoming Satellite Art Show NYC. Among the 15 video projects, our screening program features the work of award winning filmmakers, Tif Robinette + Ian Deleón (aka PULSAR) for their film, Velvet Cry, a story inspired by the 18th century hoax of Mary Toft. An unexpected character is positioned to execute karaoke in Ryan Hawk’s video, Sweet Surrender. Jessica Yatrofsky and NY FEM FACTORY’s video stars Lil’ Touches performing the story of a scorned woman “calling out” a former lover in Cunt Keeper. Award winning artist, Chun Hua Catherine Dong’s, The Sign, explores the visual culture of shame in relation to the body. FEATURED VIDEOS
Scarlett by Christie Blizard (San Antonio, TX) • Mattress Power by Charles Chace and Ginger Wagg (Carrboro, NC) • The Sign by Chun Hua Catherine Dong (Montreal, Canada) • Velvet Cry by Tif Robinette + Ian Deleón (Gainesville, FL) • Un muro que parte el cuerpo en dos by Kiyo Gutiérrez (Guadalajara, Mexico) • Sweet Surrender by Ryan Hawk (Houston, TX) • The Little Hand of Love by Pei-Ling Ho (New York, NY) • Contingencia by Manuel López (Daimús, Spain) • Mountains, Joshua Tree by Jenna Maurice (Denver, CO) • Men Do Not Nourish by Maryam Nazari (London) • The Pelvic Theatre Presents the History of Hysteria by Alison Pirie (Brooklyn, NY) • Hábito by Rocha & Polse (Barcelona, Spain) • WE ARE ALL WHORES by Natacha Voliakovsky (Buenos Aires, Argentina) • Cunt Keeper by Jessica Yatrofsky and NY FEM FACTORY (New York, NY) EVENT DETAILS Location: Grace Exhibition Space, 182 Avenue C., New York, NY 11206 6pm Screening program followed by a discussion from Satellite Art Show team 7:30pm-11pm Drinks and Dancing Cost: $10 donation (proceeds go to fund the performance program at the fair) Can't make the pre-fair party? Please consider sending us a tax-deductible donation here. We hope to see you soon! Erasure
Reflections on Ain’t I a Woman (?/!): Dusk Chronicles II, Satellite Art Show SXSW, March 2019 by Nicole Goodwin The concept of self-discovery through performance art is one that has been erected on a consistent basis. It is the struggle to find one’s self by digging through the layers upon layers of identity, peeling back the ego and the psyche to unearth ideas that are fresh, new and groundbreaking. That was the purpose behind my performance “Ain’t I a Woman (?/!): Dusk Chronicles II” at the Museum of Human Achievement (MoHA) with Performance Is Alive. I was searching for self through the idea of “erasure.” Trying to discover or “recode” myself through swimming into the murky sea of mixed-race genetics, while trying to redefine self and what it is to be Black. Or rather looking into the depths of my own soul searching for the reality I wish to form outside of oppression while recognizing that oppression is indeed all around me trying to take over my mind and body. Diving headfirst into what makes this corruption a solid thing—what is the force that is trying to corrupt my spirit? Reflections of Performance/ Thoughts while performing, They tried to bury us proverb. Alive at Satellite Art Show Austin | SXSW Week 2019 By Christian Cruz @morenahelado Before I knew it, I was 5 min late to start my performance and a small audience of five people were waiting for me. I quickly got into the empty space within the dirt mound and sat legs crossed. The black mulch was wet and cold as I moved it onto my body. Soon, Quinn Dukes came to help me push the dirt onto me, planting me, like the flower I intended to be. The soft grunts and deep breaths from Quinn, plus the growing audience let me know her help had become part of the performance. “Mmmm dirt,” someone sitting down at the pews in front of us remarked. —“Yes, it smells good,” I added. “What about the smell of nail polish, though?” I continued while smirking. That’s when the performance started for me. Quinn was still pushing dirt over my shoulders when I whispered to her if she could do me a favor. She moved from behind me to my side. “Will you please bury these for me?” I pointed to my head scarf and gloves I had abandoned near the mound of dirt. I didn’t want her to take these items, now that I had an audience. It seemed more natural to accept Quinn as a part of my performance. She eagerly obliged and buried them into the mound. I said thank you before she walked away. I started very excited: painted each nail on one hand, blew on my fingers, painted each nail on the other hand, blew on those fingers, looked at both hands, posed with hands on my face, and made eye contact while smiling when doing all these things, then repeated. For the most part, people were very warm. They smiled back and looked me in the eyes for the length of time I stared into them. I looked over to those entering and exiting and grew to have lots of control over the space. Every once in a while someone entering the fair, would not feel comfortable with me looking at them. They quickly moved through the space while covering their face, only giving me a small glimpse of them every other step. It was evident they simply didn’t like to make eye contact and that I made them uncomfortable because they were not comfortable with themselves. Another group of people were less shy and more annoyed. This group did not walk behind the pews like most people did but walked in between the space of the audience and myself. They walked through the space as if I didn’t exist, not just once but thrice. Each time I followed them with my sight, smiling and painting my nails. It made me think how sometimes, people decide they dislike performance art before they so much as give it a glance/chance. Alive At Satellite
March 13-17, 2019 Satellite Art Show Austin Museum of Human Achievement, 3600 Lyons Road, Austin, TX 78702 Performance Is Alive performance space Curated by Quinn Dukes | Contact: quinn@performanceisalive.com Performance Is Alive continues to offer Satellite Art Show viewers a rare opportunity to experience bold, unapologetic and socially conscious projects through the boundless manifestations of performance art. In collaboration with Houston-based artist and organizer, Julia Claire Wallace (Creative Director of Experimental Action Festival), our live programming celebrates the work of emerging and established Texas-based artists while integrating the performance video works of a global performance community. Artists will activate our live programming with interactive performances, durational gestures, audio scoring and projection mapping. Performance highlights include Houston's seminal performance artist, Jim Pirtle’s exploration of PTSD treatments through ice, projection and multi-media. Michael Anthony García's work investigates the alienness of being a person of color while creating tulle clad sculptures to a live a cappella soundtrack. Durational performances include Christian Cruz, who will be brown and unbothered during a piece entitled They tried to bury us proverb. Sarah Sudhoff confronts the politics of breastfeeding while confronting loss and failure. Hailing from New York, Nicole Goodwin immerses her nude body in flour to examine racial identity. Also from New York, Prism House + Matt O'Hare will debut "Separator", a 40-minute multichannel video and audio composition. We are also proud to present films, experimental video and performance for camera documentation at Satellite’s official screening. Selected artists are both locally and internationally based, maintaining our efforts to merge performance communities. Among the 16 projects, our screening program features the work of award winning filmmakers, Tif Robinette + Ian Deleón (aka PULSAR) for their film, Velvet Cry, a story inspired by the 18th century hoax of Mary Toft. An unexpected character is positioned to execute karaoke in Ryan Hawk’s video, Sweet Surrender. Jessica Yatrofsky and NY FEM FACTORY’s video stars Lil’ Touches performing the story of a scorned woman “calling out” a former lover in Cunt Keeper. Award winning artist, Chun Hua Catherine Dong’s, The Sign explores the visual culture of shame in relation to the body. LIVE PERFORMANCES BY Christian Cruz (Dallas, TX), Serap Erincin (New Orleans, LA), Michael Anthony García (Austin, TX), Nicole Goodwin (New York, NY), Prism House + Matt O'Hare (New York, NY), Henry G. Sanchez (Houston, TX), Jim Pirtle (Houston, TX), Sick Din (Brooklyn, NY), Sarah Sudhoff (Houston, TX), Antonius-Tin Trung Bui (Houston, TX), Julia Claire Wallace (Houston, TX) SCREENINGS Christie Blizard (San Antonio, TX), Charles Chace and Ginger Wagg (Carrboro, NC), Chun Hua Catherine Dong (Montreal, Canada), Tif Robinette + Ian Deleón (Gainesville, FL), Kiyo Gutiérrez (Guadalajara, Mexico), Ryan Hawk (Houston, TX), Pei-Ling Ho (New York, NY), Manuel López (Daimús, Spain), Jenna Maurice (Denver, CO), Maryam Nazari (London), Alison Pirie (Brooklyn, NY), Rocha & Polse (Barcelona, Spain), Natacha Voliakovsky (Buenos Aires, Argentina), Jessica Yatrofsky and NY FEM FACTORY (New York, NY). Full schedule here. Alive at Satellite - Performance Art takes over Miami Art Week for Satellite Art Show 201811/26/2018 Performance Is Alive has partnered once again with Satellite Art Show to present Miami’s only non-stop performance art program during Miami Art Week. Alive At Satellite features live and video based performance art projects from over 20 artists across the globe. The 4-day performance program celebrates SATELLITE’s mission to honor the significant impact of performance art - an often underrepresented medium during contemporary art fairs.
This year performance artists will embrace the location shift from Miami Beach to the Ice Palace’s 33,000 sq ft parking lot in downtown Miami by exploring beyond the boundaries of a centralized performance zone. Performances are often interactive and durational, allowing the viewer to become sensorially immersed within their experience. Political protest and the quest to harness identity thru social conflict are recurring points of motivation for Alive at Satellite artists. We invite you to join us in protest, drink tea with us on the back of an artist and to witness your first (and perhaps your only) face ballet. In the true spirit of SATELLITE - no two moments will be the same. We are delighted to collaborate with Satellite Art Show again this year during Miami Art Basel Week (December 6-9, 2018). This year, Satellite Art Show moves to its largest location thus far and will be located across from NADA Art Fair (Miami, FL). Over the past 2 years, we have presented the most comprehensive performance art program available and look to present the same for 2018. Check out our programming from 2017 here. Artists are invited to submit performance, performance art, live art, action art, durational and performance based video projects to our #AliveAtSatellite Open Call. Projects with complex technical needs may not be well suited for the space. Performances will be held outdoors and throughout the fair grounds from 3pm-10pm. Consider lighting, power and tech needs within your proposal. There is no application fee. Submission deadline is September 1st, 11:59 EST. Selected artists will be notified in mid-October.
Last December, artist and writer, Alexandra Hammond asked the visitors of Performance Is Alive at Satellite Art Show, "What Keeps You Up at Night?" It was a pleasure to witness the piece in it's full 3-hour duration. Unfortunately, I did not have an opportunity to participate in the conversation because there was never an empty spot at the "campfire!" I came up with a cascade of responses as I simultaneously eavesdropped and welcomed our guests. What keeps me up... planning art fairs, worrying about artists traveling internationally, posting on PIA... I'm sure you can create a laundry list of your own and I hope you do in comments! Luckily, the dutiful ethnographer transcribed her conversations of which I am pleased to share with you here for our latest Artist Feature. - Quinn Dukes
Last December #AliveAtSatellite artist, Ayana Evans, presented "Slick and Gritty" - a video screening and panel discussion organized to benefit Geraldo Mercado's family members who fell victim to the disastrous path of Hurricane Maria. The family farm was destroyed and US aid was minimal in their rural area of Sierra Alta. Geraldo's grandparents, Ruder and Brunilda Caraballo, as well as his great-aunts Rosa Sanchez and Catalina Sanchez, struggled to replace the roof on their homes.
The initial fundraising goal for Slick and Gritty was successfully surpassed per the tireless promotion and advocacy of Evans. The family has been busy with repairs and I thought it would be a perfect time to re-connect with Ayana and Geraldo for updates and event reflections. There is still much work to be done in Puerto Rico, please consider donating to the Viajero Hurricane Relief Fund. Last December, a plastic covered and patriotic "Diane The American Swimmer" portrayed by NYC based performance artist, Diane Dwyer, set the out to Miami Beach with a very specific message about climate change. Learn more about this great "American Swimmer" in our latest artist feature! - Quinn Dukes
Katya Grokhovsky is a powerhouse-bad-ass-feminist who employs video, collage, painting, sculpture and performance art within her artistic practice. She is brave, daring, unwavering and I am thrilled to present her as our 2018 inaugural FEATURED ARTIST. Grokhovsky was born in Ukraine, raised in Australia and completed her MFA at the School of the Art Institute Chicago. She has an impressive artist residency, fellowship and international exhibition history that she has undoubtedly worked tirelessly to achieve. Katya is also an independent curator who curated, among others, projects such as “CALL OF THE WILD: Pioneers, Rebels and Heroines” at VOX Populi Gallery (Philadelphia, PA) in 2015 and most recently announced her appointment as lead curator for Art in Odd Places NYC edition premiering this fall (October 2018).
Last December, Katya performed "Bad Bad Woman" in conjunction with our programming presented at Satellite Art Show, Miami Art Week 2017. After witnessing the 2-hour durational piece, I felt empowered, exhausted and curious. I am delighted to continue the investigation of Bad Bad Woman with you here. Read, Enjoy and Share! - Quinn Dukes Performance is Alive brings yet another ambitious, 4-day performance art program to Miami Beach for Satellite Art Show. This year's program features interactive performances, durational works, a panel discussion with slumber party, performance video screenings, lectures and because performance is never entirely predictable, the unknown! PIA artists are encountering the complexity of migration, oppressive patriarchal constructs, trans identity, mental health care, silencing, race relations and many other human rights issues threatened by the Trump administration. So join us for the only non-stop performance art uprising during Miami Art Basel! #AliveAtSatellite #notbasel #performanceisalive
It is with great pleasure that we jump back into one of the founding components of this site, the Artist Feature! Multi-media artist, Trevor Amery, joined the #AliveAtSatellite programming during Miami Art Week at Satellite Art Show. His performance initiated with the cross-country journey from California (where he is completing his MFA at UC San Diego) to Miami Beach, Florida. In our interview we discuss the importance of community within Amery's practice and he recalls the terrifying capsize experience while performing Baidarka. - Quinn Dukes
Performing our Reality / Dreaming our Escape - Notes from Satellite 2.0 by Alexandra Hammond1/13/2017 Performing our Reality / Dreaming our Escape - Notes from Satellite 2.0
Alexandra Hammond for Performance is Alive It’s just before the opening of Satellite 2.0 and the Parisian hotel in Miami Beach is as ready as it will ever be. Each room has been cleared of furnishings and occupied by a gallery, curatorial project, artist collective or publication. Many have been transformed beyond recognition while others, including our booth for Performance is Alive, revel in the dingy tones of cream and pale-peach paint, making use of the vaguely sordid yet standardized markers of the hotel’s architecture of transience: dated carpeting, wall-mounted televisions and lamps. We have covered the linty carpet with an uncanny layer of adhesive plastic rug-guard topped with beige drop cloths. Artist, Curator and Performance is Alive founder Quinn Dukes has been performing and managing performance events for years and knows that “performers get messy”. She is keen to support the artists and tend to the realization of their works as much as possible under the constraints of a nonexistent budget and the hotel setting. The only rule: no fire. After a day and a half of nearly round-the-clock preparation (more for many of the elaborate booths) the Satellite Art fair feels like a possible setting for a Borges story: a world within the world, with its own sense of time and cultural mores. The lobby is now equipped with a giant cereal bowl, titled F+++ Off, fashioned from a modified Doughboy pool and filled with enlarged Captain Crunch pieces sculpted out of foam. A bubble-bath fountain shaped like a giant milk carton pours down from above. Its creators, Jen Catron and Paul Outlaw don bathing suits and float in doughnut-styled inner tubes from time the fair opens until it closes each day. They take their job seriously, just like the exotic car rental agency that normally shares the lobby of the Parisian and continues its usual business throughout the fair, tending to and lending out a small stable of Lamborghinis and Rolls Royces that are parked out front. Curator Jesse Firestone (creator of the Soothing Center and an organizer of the fair along with Founder Brian Whiteley) stops into our booth for Performance is Alive. Jessie, Quinn and I joke that if we had to stay at the Parisian forever, we would survive and make our own world. Like the Eagles’ Hotel California, but with more exuberance and less downfall. The fantasy of the self-sustaining art-pod was particularly poignant in the days immediately following the presidential election. The final dissolution of the myth of American exceptionalism calls for action, and the temporary world-building represented by repurposing a hotel for a few days of art viewing (even as it participates in the commercial crush of Miami art week), can be seen as a utopic gesture, perhaps even an act of love towards a world that has revealed itself as a more troubled place than we had imagined. Nestled on the second of three floors of this most wacky and artist-powered of the Miami art fairs, Performance is Alive’s room 15 was poised to be occupied by the first of its politically-charged performances. Artists addressed the interconnected subjects of landscape and environmental destruction, race, gender, consumer capitalism, labor, violence and eroticism. In short, the range of issues that arise when the medium is the ever-political, ever-present body. We have been hard at work reviewing hundreds of performance proposals from incredible performance artists across the globe for #AliveAtSatellite, Performance Is Alive's non-stop programming at SATELLITE ART SHOW during Miami Art Week 2016. We are incredibly delighted to present these daring projects from an amazing group of artists. Throughout the fair’s duration multi-media performance artists confront a myriad of contemporary issues such as body politics, race, economic inequality, climate change and intimacy in the digital age. Over twenty short form, durational and video based performance works will be presented throughout SATELLITE 2.0. We hope to see you in Miami but if you can't join us on the beach, stay tuned for live stream details! - Quinn Dukes + Alexandra Hammond SATELLITE ART SHOW // The Parisian Hotel, 1510 Collins Ave., Miami Beach, FL 33139 EXHIBITION HOURS PRESS PREVIEW: December 1st: 12 – 3 pm December 1st: 3 pm – 10 pm December 2nd: 12 pm – 10 pm December 3rd: 12 pm – 10 pm December 4th: 12 pm – 6 pm Confirmed artists include: Agrofemme and Ian DeLeon (NYC), Thomas Albrecht (NY), Trevor Amery (CA), Joseph Bigley (NC), Monica Jahan Bose (DC), Hector Canonge (NYC), Alberto Checa (FL), Dominique Duroseau (NYC), Ayana Evans (NYC), Sean Fader (NYC), Whit Forrester (Chicago), Vanessa Dion Fletcher (Chicago), Philip Fryer (Boston), Elan Jurado (NYC), Olga Kozmanidze (Moscow, RUS), Jenna Maurice (TN/CO), Sergio Mora (FL), Violet Overn and Emma Sulkowicz, Miriam Parker in collaboration with Christina Smiros and Jo Wood-Brown (NYC), Sarah H. Paulson (NY), Miles Pflanz (NYC), Selma Selman (Bosnia/Herzegovina) Alexandra Sullivan (NYC), Marcela Torres and Chase Calloway, J.R. Uretsky (RI) PERFORMANCE SCHEDULE
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CONTRIBUTORSIan Deleón Archives
July 2023
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