Zorzini Gallery at Volta Art Fair, NYC, March 1, 2017
By Alexandra Hammond
As a steady stream of people breezed through the long corridors of the Volta Art fair at Pier 90, concentration gathered at booth F01, occupied by Zorzini Gallery of Bucharest, Romania. A slender young man, Romanian artist Szilard Gaspar, with the face of a saint from a Spanish Golden Age painting, arrived in the booth, seated himself and began changing his shoes and taping his hands. His preparations were executed with the specificity of a trained athlete.
The intimacy of these actions was heightened by the art fair setting, where everyone’s gaze is trained to the external world of images, objects, opportunities for social networking, sales. The spectacle of the person changing from one activity to another, dressing and undressing, took on the importance that Mr. Rogers so aptly demonstrated in his children's show, where the ritual of the daily change of clothes, from outdoor jacket to cardigan, dress shoes to sneakers became a stabilizing routine and a marker of a boundary from one place and one kind of activity to the next. It was not so much a necessity, that the new activity could not be performed or inhabited without the wardrobe change, as a decision to enter a new mode of operation.